Films:
Ensemble, c'est tout (2007),
Camping 2 (2010),
La princesse de Montpensier (2010),
Largo Winch 2 (2011),
Les Lyonnais (2011),
, Gibraltar (2013), En équilibre (2015), Finding Dory (2016), Brice 3 (2016), Demain tout commence (2016), Jour J (2017), Cherchez la femme (2017), The Jungle Bunch (2017), Dilili in Paris (2018), The Emperor of Paris (2018), La vrit si je mens! Les dbuts (2019), Hors normes (2019), Le prince oublié (2020), 10 jours sans maman (2020)
Screens:
12 Ticket price:
10.90€
Yeah, OK, I've been to Gaumont cinemas, which I'm guessing leads you to think of me as being a bit like those people who spend their lives moaning about Tesco yet you almost never catch them buying milk from their corner shop (or if they do, they then complain that it costs more than in the supermarket). And yep, I've lined The Man's pocket. I really don't know what to tell you.
The Gaumont at Cité Europe is a huge aircraft hangar-type building that's right next to the restaurant end of the mall
(in which there's a remote ticket machine -- which actually works, unlike those ones at Bluewater your mileage may vary) and a very short walk across the grass (but don't do this at the Eiffel Tower, kids) from a cluster of hotels (Ibis, Etap etc.).
With 3 times as many screens as the nearby Alhambra and films that are always in French (more on that later), it's the warehouse of choice for the yoof of Calais and its environs. A huge foyer has several ticket desks, plenty of food/drink options, and a few handy queue-busting ticket machines, which not only save a bit of time (and it's usually pretty busy at peak hours -- when I went to see
Largo Winch 2 I had to wait more than 15 minutes just for one of these machines) but are attractive to misanthropic types like myself who usually can't be bothered dealing with people. Oh, and if that sounds like you, there's also a Coke machine on the other side of the ticket-tearer. But really, your bag/pockets/hat/dog's neckerchief should be obscenely stuffed with all types of continental contraband from the nearby Carrefour hypermarket -- at these ticket prices, you've given Gaumont enough of your hard-earned. Although, come to think of it, Carrefour are also The Man.
The auditoriums themselves are quite good. Every time I've been there I've had a fairly enjoyable time, but on each occasion there's been a clearly audible burble of conversation rippling around the cinema, which really grinds my gears; for
Largo Winch 2 I wearily moved to the other side of the auditorium to elude a gaggle of noisy latecomers. The first trip there featured some girls stage whispering throughout the film, and provided me with the sad realisation that France wasn't impervious to inconsiderate cinemagoing types. The film on that occasion was
Ensemble, c'est tout -- a serviceable but curiously low-key affair with good-looking Audrey Tautou entering into predictably complicated romantic shenanigans with good-looking Guillaume Canet. It's billed as being a Claude Berri (RIP) film, although while watching it I really wasn't sure as to how much of it he'd actually directed. Sure enough, scrutiny of the credits revealed that François Dupeyron (
The Officer's Ward) was given a shifty-sounding "technical advisor" credit, and it indeed turned out that Dupeyron had taken over from the ailing Berri. Finely-tuned auteur radar or what? I think Berri's final film -- canine caper
Trésor -- actually gave Dupeyron a proper co-director credit.
On another occasion, my wife and I made an unscheduled visit there. This was on a Saturday day trip where we'd gone over for a bit of shopping, walk along the seafront, cone of coffee, cup of chips, etc. However, on arriving in Calais we noticed there was no-one around, and no shops open (although the latter is not at all unusual for lunchtime there). We soon twigged it was a public holiday, and if you've never experienced a public holiday in France then you haven't experienced one at all.
Everything is closed, and there's nary a soul on the streets. It makes those early scenes in
28 Days Later look like New Year in Times Square. We felt kind of silly, but at least a couple of friends from home we'd arranged to meet had made the same mistake. So more like We Are Legend. Cue a screeching of tyres as we all headed out of town in search of wine stores, clutch and exhaust fitters, shoe shops, builders' merchants... basically anywhere we could fumble with our Euros and be involved in
transactions.
We decided to head for Cité Europe where we caught
Camping 2 -- we hadn't seen the first one, but somehow it didn't look as if that was going to be too critical. Plus, it re-teamed the star and director of the great
Disco, so that was a good start. The cinema was mobbed, and I realised that this must be where those who weren't enduring visits from relatives (and perhaps some who were
supposed to be -- naughty, naughty) must be taking shelter. The film was good, ridiculous fun with Franck Dubosc (there's one for Corrie fans -- Mum???) on fine clown prince form. Afterwards we had a meal at the nearby 3 Brewers (despite the shops at Cité Europe being shut, most/all of the restaurants by the cinema were open), and from a day that could so easily have been a write-off we had managed to fashion a fun time. Although we've often been to Cité Europe, it's usually on a busy day trip where either a film or a proper sit-down meal is hard to fit in, let alone both.
One thing I really don't get about this place is that, despite it being just a few metres from the channel tunnel and therefore the closest French cinema to the UK, they only ever show films in French. In all the years I've known about this place I've only ever been aware of one film that screened in something other than French (a preview of
Ray). Haven't they noticed that the mall next door is teeming with British day-trippers? They have 12 screens FFS -- why not ghettoise one of them into a place where English language films can play with French subs? They could even organise post-screening pitched battles between the locals and
Les Rosbifs. I'm guessing they know more about it than I do and have done their homework on this (and may even have tried it out -- the screenings, not the pitched battles -- and found it not to be worthwhile), but I'm sure that as you're reading this there's many a poor soul reluctantly schlepping round Cité Europe with their other half, consequently annoying said other half, while the schlepper would much prefer to be parked up in the cinema for a couple of hours thus leaving the shopper to carry on unencumbered. It really does seem like a missed opportunity. If The Man is reading this (through Google Translate or whatever), have a good long think about this. I know you like money. Hell, I'll even help program it for you -- for the right fee, of course. I know you're good for it.
Update: As of 3/13, the cinema has now been given a major makeover; when I was last there it was in the midst of its redesign, with the large foyer representing a building site. The local paper ran a page on the new-look cinema, with the manageress waxing lyrical and patrons mouthing off for and against the revamp. I'll have to sit on the fence on this one until I can sample it for myself...
Update: And now I have, folks! Not sure if they've done anything to the actual screens, but it was indeed a very comfortable seat which I took for
Gibraltar (on its opening night, it was the only French film showing there). A very solid thriller, but I doubt if stars Gilles Lellouche and Tahar Rahim would be too impressed with a mere six of us taking in the first main evening performance. The foyer now seems to have switched over to the Vista ticketing system, but I had no real need to investigate as I'd booked online to get my smartphone ticket and, far more importantly, a saving of 3.70€ as part of some promotion.
Update: So as to avoid rewriting/deleting all the nonsense towards the end of the initial post, let it be said that it's now not unheard of for films in their original language (w/ French subs) to pop up here -- usually such films get one show a day in
VO, with the rest of the screenings hosting the expected dubbed version. I first noticed this with
Star Wars: The Force Awakens in late 2015. While such screenings are still very much in the minority, it's nonetheless encouraging to see...
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